Showing posts with label Best-Seller. Show all posts
Showing posts with label Best-Seller. Show all posts

Sunday, 21 July 2013

A SONG OF ICE AND FIRE REVIEW

Hurry up, Fatty.

Yeah yeah, I haven't done any reviews for fucking years but because the 6,000 or so pages of George RR Martin's 'Song of Ice and Fire' (commonly known as Game of Thrones) took over my life for a few weeks I felt compelled to address it in this (now empty) forum. To get through 6000 pages I must've liked it. The start of that sentence infers the end of it. It's not like I was paid to read it. I lost sleep, obsessively checked things on Wiki so I was sure I had things right, had strong opinions on what happened and what should happen, and I became attached to characters that I loved, and loved to hate. So why do I feel so annoyed? Here's why.

* "Truth be told". If one more character said 'truth be told' just one more time I was going to hurt something. There's options. "To be honest..." is one such example. Even if he halved his usage of "truth be told" by giving equal weight to the just as banal "to be honest" it would have been a more enjoyable read. And you can't suggest it was just Westerosi idiom, because Free Cities and Wildling characters also said it. And yes, I argue I used the right word then when I called it idiom, because neither 'truth' (necessarily) nor 'telling' was at play. Also, saying 'idiom' makes me sound smarter than if I said 'figure of speech'. Fuck you. It's been a while since I've expressed myself with words. I have a baby, and I watch 'Giggle & Hoot' every day of my life.

* Did not give one flying fuck of a shit about anything that happened to Daenerys or anyone Daenerys met or where she went after Book One. Didn't care. I vagued out. By Book Five she was in some place called Meereen, and I forgot how she got there, and everyone's name had a 'Zh' in it, and there were sell-sword companies that were politically manoeuvring in and around her and I kept forgetting which was which and couldn't work out who I was supposed to be supporting. I wanted her and her dragons to just fuck off, and leave Westeros alone to have a good old fashioned war betwixt Lannisters, Starks, Greyjoys, Baratheons and young Griff (no spoilers here people), and some Others just for the lark of it. Daenerys and her fucking stupid dragons smell of deux ex machina. And she's a brat. "I want my kingdom!" And running around the desert begging strangers for armies like a junkie begs for heroin on Smith Street. She's as bad as her brother, despite the characters insisting she's not. But at least I hated her brother - that gave him dimension. Daenerys is a zero. Every time I ended a chapter I became excited about the next chapter... would it be Tyrion? Davos? Theon? Arya? Will Ramsay Bolton make an appearance? Like a kid on Christmas Day I would be overwhelmed with hope and happiness, then I'd see the name 'Daenerys' and my heart would sink. They'd start like this: "Seven Ejaculating Cows stormed into the palace wearing golden tassals above their shining armour.  Each were branded with the mark of the Zhodshxschena. Zhodrea no Fzho was breaking his fast. Truth be told, he was expecting them earlier..." and I'd think, "Who are the ejaculating cows again? Are they good guys or bad guys? Which one was Zhodrea no Fzho again? Oh fuck it, I'm going to bed..."

Both of you, FUCK OFF.

* I love books about power, sex, death, love and religion. Every book should be about those things. But no, writers insist on peddling introspective crap about ageing, or family, or longing, or duty, or 'passivity' (yes, you, David Foster Wallace - lucky I wasn't writing reviews when I read Infinte Jest because you would have been fucked. Up. (I'm sorry you're dead though - 'A Supposedly Fun Thing...' was brilliant)) or worse:  'feelings'. So finally I get a popular 6000 page epic on the very themes I demand in a book, but it's written by a guy who says 'truth be told' all the time, and he's making us wait an eternity for the next book (hurry the fuck up!) and his (arguably) main character is so boring I wish she came to life so I could have her killed. Some people were trying to kill her. Quarthians. Or Yunka'ianese. Or Ejaculating Cows. I can't remember, it was confusing, but I do remember thinking, "Oh please do it."

* I wish someone else wrote it.

** ***

But what the fuck. I loved it. I hated to love it, but I loved it. A-minus.

Friday, 6 March 2009

A Spot Of Bother

By Mark Haddon



This is the same bloke who wrote 'The Curious Incident Of The Dog In The Night-Time' which I read four or five years ago and although I don't remember much about it, I do remember enjoying it. I wish I could say the same for this book, especially because the book was given to me by Pony Girl.

Self-loathing and self-obsessed middle class tossers getting agitated about stuff. That's kind of it.

I wouldn't have one character from this book over for tea.

It's all based around the extended Hall family and the build-up to the daughter's (second) wedding. There's the daughter herself who's a rotten bitch, her son from a previous marriage who talks way too well for a kid in a nappy, her husband-to-be who has nothing going for him except money, the gay son who's a prat, the infedelious bitch-mother and her hairy lover, and poor old Dad, George, who is going insane. He's the main character and perhaps the only one I had any pity for, because at least insanity is a reason and/or excuse for self-mutilation. The rest have no excuse, and if I was meant to feel empathy towards any of them (which I think I was supposed to) then either I failed the author, or the author failed me.

To be clear on this, 'bitch-mother' and 'gay prat' are just my summations. I think Haddon genuinely expected us (the readers) to like these people. But in my mind, they were a bunch of cunts and I was hoping that the last chapter had a line like, "And anyway, a plane crashed into the wedding and they all died except George."

This orgy of neuroses and self-loathing is not for me. It's for people who get it. It's for the people who are like that... who can't make up their mind, commitment-phobes, and yet at the same time they are ubermensches, narcissicsts, and also happen to be paranoid... who in any situation will first establish an esacpe route just in case, the people who play their cards close to their chest and will not or cannot express themselves for (unfounded) fear of retaliation - the people who say nothing at the exact time they should be communicating. They are the people that will love this book, because the Hall family is their template.

At least Token Gay had a small epiphany "... it occurred to him that there were two parts to being a better person. One part was thinking about other people. The other part was not giving a toss about what other people thought." Though we had to wait until page 406 for this twat to turn, and what totally shat me is that his ex-boyfriend, who should have known better, rewarded Pratboy by magically coming back into his life.

In my experience, epiphanies aren't about righting old mistakes, they're about ensuring they don't happen again.

**

Haddon's writing style annoyed me too.

"Of course there were times when she worried. That Katie would never get a decent job. Or fall pregnant by accident."

What's with the fullstops?

He also does a Peter Carey.

"Aiden bawled Katie out... she resigned. And Patsy cried because people were shouting."

'Aiden' and 'Patsy' were never mentioned before that paragraph, and never mentioned again. I call it a 'Peter Carey' because he starts chapters with lines like "The blue jar was on the top shelf." What blue jar? Would it kill you to write, "A blue jar..."? Oh that's right, it's called writing.

But in this book's defence, it was a page-turner. The chapters were mostly very short - two or three pages would be an average, so the scenes were all like vignettes and because they jumped character to character I found myself having to keep reading so as I could get to what happened next. But it was page-turning in the same way Home & Away possibly is (I've never seen it). You watch four episodes in a row, and you have to find out what happens next.

The book was... engaging. I'll give it that.

I didn't hate the book as much as I hated the characters in it.

D.

*

Pony Girl is gone now. Not out of the country yet, but gone nonetheless. I'm a little shattered, and fragile. By jesus I loved that girl.

My family happen to be cracking up somewhat as well (maybe that's why the book resonated so negatively... we're all helping each other, and yet the family in the book were all too self-obsessed to particularly care about one another), I'm work-busy, and I'm lovesick as all Hell.

I'm about 6 books behind on this blog, so be prepared for a few entries. I find it good therapy to rant to strangers, thinly disguising my tantrums as art criticism.

Monday, 10 March 2008

The Kite Runner

By Khaled Hosseini



See, I met a girl. She’s from the Mallee Desert and I fell hopelessly in love – I couldn’t control it. It seemed, and time will tell if I’m right (and time will tell if I am wrong) that I had never fallen so quickly or so vehemently over a chick in my whole life.

Here’s why I fell in love.

• She ordered us a gin and tonic each. When I went to take my first sip she reached over the table, grabbed the straw out of my glass, threw it to the ground and said, “You’re a man. I’m not letting you drink out of a straw.”

• As a young girl, living in the Mallee desert, she always wanted a pony. When she finally got one she hated its guts.

• She came to my house. I tried to dress down for once. I wanted to look less like a lapsing goth and more like a man, so I put on a hoody. She walked in and said, “How long have you been wearing hoodys for? Are you wearing that for me?”

• Great legs.

My love even spiralled, exponentially... oh I give up normally. You know those guys that when they set their sights on a woman they keep trying? I’m not one of them. But then I became one of them. Foreign territory. And in the haze of drugs and alcohol out with her one night she recommended this book.

I don’t do best-sellers.

But I was in love.

I bought it at Readings but also bought some highbrow DVD’s and Nick Cave’s latest album just so I came across as the artistic elitist non-hoody wearing lapsing Goth that I truly am.

“Oh yes,” I said to the Readings clerk, “I want a bag.”

I may have liked this book if it was true. But it’s not. It’s FICTION, and it is incredibly formulaic and convenient fiction. If there was a truly accurate word power rating machine it would give this book a rating of 12 – for 12 year olds. It’s written in baby-speak. The story is one cliché loaded upon another and fair dinkum, you could program a computer to write this book. I read its 340 pages in just a few hours (only three sittings) because it is, in literary terms, like a fucking Big Mac. It’s big but it goes down very quickly and you feel cheated afterwards.

There are about 15 twists in the book – though 'twist' may be too strong a word; 'plot development' is more apt – and every single fucking one of them is a cliché. Every character is a caricature. It is Days Of Our Lives: Kabul. The noblest character in the book is too noble to be real, and the evil character is just Darth Vader in a turban. The main character is a cry-baby sook, a bore, a non-sexual two-dimensional cliché-ridden nuff-nuff with as much beguilement as a kitchen tap.

The most insidious habit Hosseini employs is a reminisce of earlier chapters. It’s filler, like pickles in your Big Mac. It’s like he decided that he needed to ‘pad’ some sections out and so he did so by giving us a rundown of what we’ve already read (like what the 7pm ABC news does at about 7:15pm every night). Here, I’ll do the same to fill out this review.

“I sat down, lit a cigarette and sipped a water. I remembered reviewing a Colette book. I remembered strongly the time that I gave an Andre Morton book a rating of D Minus. I remembered when I called Hosseini, the writer of The Kite Runner, a nuff-nuff.”

Except he can drag these reminisces for about a page at a time.

This is what I have learnt from reading The Kite Runner:

1. That I was right to avoid best-sellers

2. That reading a book recommended to you by a woman you love is polite, nice and even a little flattering, but it is not seductive. To seduce a woman, you need to spend less time reading their books, and more time, you know, seducing them. Particularly ones that get given ponies and then hate them. It’s a metaphor. Though she recommended the book to me, she will begrudge me for reading it. I ain’t going to be sending this blog link to her, that’s for sure.

These are valuable lessons, and thanks to The Kite Runner I have learnt them. I give it a D.